Overview
Tony Award® for Best Musical!
It’s just a flesh wound! Monty Python’s SPAMALOT, lovingly ripped off from the classic film comedy MONTY PYTHON AND THE HOLY GRAIL, retells the legend of King Arthur and his Knights of the Round Table, and features a bevy of beautiful show girls, not to mention cows, killer rabbits, and French people—Oh, and did we mention the bevy of beautiful showgirls?
Bursting with unforgettable songs, absurd humor, and zany characters, this musical is a rollicking celebration of all things Monty Python. The 2005 Broadway production won three Tony Awards®, including Best Musical, and its success continued with two West End runs and a recent Broadway revival.
With its laugh-out-loud moments and unforgettable anthem “Always Look on the Bright Side of Life,” SPAMALOT is a gloriously entertaining journey that will leave audiences in stitches from start to finish.
SPAMALOT Young@Part® is the authorised 60-minute edition of the Broadway musical for primary and secondary schools, as well as youth theatres. The Young@Part® musicals are carefully crafted through a series of workshops with industry professionals and young performers. Song keys are adjusted where necessary, and songs and scenes are edited for time and content, all while preserving the essence of the original Broadway production.
Each Young@Part® title includes Performance Tracks, Guide Vocal Tracks, a Director’s Guide, 30 Student Scripts, and more, all available with an affordable Performance Licence package.
Casting & Production
Casting
1 female, 3 male, and 6 gender-flexible featured roles.
Flexible casting and featured roles in the large ensemble
KING ARTHUR (Late 30s-60s.): The King of England who sets out on a quest to form the Knights of the Roundtable and find the Holy Grail. Great Humor. Good singer.
SIR ROBIN (30s-40s): A Knight of the Roundtable. Ironically called ‘Sir Robin the Brave,’ though he couldn’t be more cowardly. Joins the Knights for the singing and dancing.
SIR LANCELOT d/b/a LANCE (30s-40): A Knight of the Roundtable. He is fearless to a bloody fault, but through a twist of fate, does discover his ‘softer side.
PATSY (30s-40s): King Arthur’s horse and servant. Underappreciated but always longing for King Arthur’s approval. Good, funny, physical mover with some tap dancing.
SIR GALAHAD (30s): A Knight of the Roundtable. Begins as Dennis, a lower class ‘mud gatherer’ who becomes knighted and transforms into the dashing Sir Galahad. Strong bari/tenor singing required.
SIR BEDEVERE (20s-40s): A Knight of the Roundtable. An inept scholar. No solo singing.
THE LADY OF THE LAKE (20s-30s): A Diva. Strong, beautiful, possesses mystical powers. The leading lady of the show. Great singing voice is essential, as she must be able to sing effortlessly in many styles and vocal registers.
HISTORIANS (3): Tweedy academics. Must have excellent diction.
NOT DEAD FRED: A sickly little fellow who, despite others’ beliefs, claims he is “not yet dead.”
THE VOICE OF GOD may be live or recorded. (Eric Idle’s GOD voiceover is provided on the TRW Production CD.)
ENSEMBLE: The ensemble/chorus also cover the following roles:
(These roles can all be played by female or male actors.)
MAYOR and FINLAND VILLAGERS
SINGING MONKS: Males can sing offstage with female monks onstage
SIR NOT APPEARING: DON QUIXOTE or any other well-known knight such as BATMAN the Dark Knight, a Jedi Knight, a Knight of Columbus, etc. (This character is a good opportunity for a cameo appearance by a beloved administrator, local official, etc.)
DENNIS GALAHAD’S MOTHER: a shrill peasant woman (often played by a large male actor as an homage to the original Python sketches.
THE DANCING MONK
THE DANCING NUN
THE FRENCH TAUNTER: an arrogant, condescending, over-the-top Frenchman
TWO FRENCH GUARDS: also arrogant, condescending, over-the-top Frenchman
ROBIN’S MINSTRELS: In Sir Robin’s band
THE KNIGHT OF NI: an absurd, cartoonish leader of a peculiar group of Knights
THE KNIGHTS OF NI: usually played by female actors
GUARD 1: The lead guard
GUARD 2: A drunken, useless guard
CONCORDE: Sir Lancelot’s horse and servant
TIM THE ENCHANTER: a ghostly being with a Scottish accent.
SIR BORS: a knight who will confront the killer rabbit
Music & Materials
Young@Part® Materials Include:
Director’s Script – 1
Cast Script & Vocal Books – 30
Piano/Vocal Score – 2
Guide Vocals CD – 1
Performance Tracks CD – 1
Logo Pack – 1
*Additional materials and resources may be added a la carte.
Credits
Monty Python’s SPAMALOT Young@Part®
Book & Lyrics by ERIC IDLE
Music by JOHN DU PREZ & ERIC IDLE
Young@Part® Edition Adapted by Marc Tumminelli
Young@Part® Edition originally produced at Broadway Workshop in New York City.