[Porto]

Full-length
Drama
2W, 3M, 1 gender neutral
play

Overview

A woman walks into a bar. Her name is Porto. She’s a regular. She likes this bar: serious food, serious wine, serious bartender–a staple in a gentrifying Brooklyn neighborhood (perhaps Bushwick?). Her friends, her wine, and her artisanal snacks are there; her doubts about being a Modern Woman are put on snooze. A handsome stranger walks in and orders something special. Disruption ensues: an upside-down romantic comedy unfolds inside and outside her head. Desires of all kinds are awakened with a ferocious thump. A nice smile is a nice smile, but can we enjoy the sausage once we know how it’s made?

Casting & Production

Casting

[ ] a lesser god, or a person of many genders who owns a bar
DOUG THE BARTENDER
 a foodie, 40s
HENNEPIN
some version of a Hot Guy, late 30s
PORTO
a Woman in the middle, late 30s or early 40s
DRY SAC
the hottest woman you’ve ever laid eyes on, 40 going on 20
RAPHAEL THE WAITER
 the friendliest guy, late 30s
THE CHORUS OF DUMB BUNNIES
 just what they are
SIMONE DE BEAUVOIR
Raphael the Waiter in drag: sincere, and really enjoying it.
GLORIA STEINEM
Doug the Bartender in drag: sincere and not so much. Hard to tell with that guy.

Setting

Setting
A bar with good food.
A gentrifying neighborhood in Brooklyn.
Then back to the bar.
And then, inexplicably: a steeple, a lake.
And once: an apartment. Just the living room.
We never want to see the kitchen here.
(Or we always want to see the kitchen, but we are not going to.)
But always: the bar.

Time
Now, or recently

Reviews

“Stealthily ferocious, comfortingly hopeful, very funny … the play is ultimately an exhortation to get out of your head and live, in thoughtful pursuit of joy.”
—The New York Times
“A smart, surprising ode to the modern woman’s anxious, circuitous quest for simultaneous self-actualization, pleasure, and perhaps even love—an examination of the conditioning we receive, the ways in which we wake up to it (or don’t), and what we decide to do about it”
—Vulture


Media